New Orleans, hot sultry nights, and an ancient evil who makes the French Quarter home.

Cassanne Thomas returns to New Orleans to start her life over and becomes the target of a supernatural serial killer. Escaping her close call with death, Casi is the only witness to the crime and finds herself placed in protective custody by a handsome Cajun detective. But with her dark, troubled past, trusting the police is the last thing she wants to do.
 
Detective Lucas Avery, the top homicide detective in NOLA, is unaware of the supernatural world surrounding him. With the killer stalking the streets, he vows to shield the beautiful, enigmatic, Casi with his life while fighting his growing attraction to her. He's been burned before.
 
Danger chases Lucas and Casi from the streets of the French Quarter to the wilds of the bayou. Will they be able to stop a monster, straight out of a nightmare or become victims themselves?

First published in Marion Zimmer Bradley's "Sword & Sorceress" anthology, C J was bitten by the writer's bug and hasn't stopped since. The Wild Rose Press published her award-winning first novel, "Walking Through Fire"— a Scottish ghost romance. She is currently working on the fourth book in the interconnected standalone series, The Fire Chronicles, as well as a new Urban Fantasy starring a kick-ass Time Enforcer.
 
When her pen isn't scribing, you can find her busily cutting and tracking music for film and television.  With over thirty years of music editing experience, her credits range from "Northern Exposure" and "The Muppets Christmas Carol", to "The Kill Point", "The Following", and ABC’s hit comedy, "The Middle".
 
In her downtime, you’ll find her curled up with a cup of tea, her cats and a great book in Tarzana, California. 

          Website/Newsletter   Twitter    Facebook    Instagram    Goodreads   

       BookBub       Amazon Author    YouTube    LinkedIn    Pinterest
​

My Journey

In the stifling heat of a Manhattan summer, a fresh-faced woman huddled in a garret, awaiting the opportunity that would change her life. The air was rank, rife with the scents of summer in the city.  Brushing a mop of red curls from her eyes, she stared through the grime-streaked window, longing for more than a sliver of sky. She’d fled the tiny town where she grew up, leaving lush fields and rolling green ridges for dirty sidewalks and towering skyscrapers. As the days dragged on, she grew restless, nagged by a feeling that instead of chasing her dreams, she was treading water, barely keeping afloat as a murky eddy of shattered hopes threatened to drag her under…
 
If my journey to writing a romance novel was, indeed, a romance novel, it might begin something like that. The time was the early 2000’s, and the place was a sixth-floor studio apartment on Manhattan’s Upper West Side.  I’d just finished my Master of Fine Arts in Acting, and I was ready to make my Broadway debut. Little did I know…that momentous event wouldn’t take place for another ten years. Every student actor is told repeatedly that the odds of making a living in the theater are slim at best. Nonetheless, thousands follow their dreams, believing surely, they will be the exception. And with lots of hard work and tenacity, many actors do carve out a career in The Biz. But progress is slow and hard won, and for lots of young artists, the urge to keep creating—to keep telling stories even during dry spells—tugs at our insides until we branch out into other disciplines.
 
I remember lounging on the blue and green plaid sofa that sat a mere six inches from my bed and a foot or so from the dining table, watching Oprah Winfrey interview successful romance writers who found purpose and joy weaving heartwarming tales of love. “I could do that,” I thought, every bit as naïve as I was to think a starring role on Broadway would arrive on my doorstep all wrapped up in shiny paper and tied with a satin bow. Still, I cracked open a notebook and gave writing a whirl.
 
I never set out to write “Amish Romance.” Indeed, in the early oughts, the genre was nowhere near as large and popular as it is today. Encouraged by those Oprah guests with the often-heard truism to “write what I know,” I came up with a simple premise: what if a girl went back to her hometown in central Pennsylvania and fell in love with an Amish guy? I dove into my story with the pent-up fervor of a frustrated actress, holing up in coffee shops and teaching myself the art of writing as I went. Over the course of many months, I researched, brainstormed, and revised, until my heroine finally achieved her happily ever after.
 
Hometown sat on my hard drive for decades as my acting career took off. I performed at theaters around the country and in New York City. I dipped a toe in commercial acting, film, and television. I narrated over twenty audiobooks and taught Shakespeare workshops to high school students. I had a child. I started running. I twiddled my thumbs.
 
Then one day I thought…hey, what about that book I wrote? Could now be its time to shine?  As nervous and hopeful as that young performer who first acted on the crazy whim to write, I approached small, romance publishers, hoping the story of a red-haired girl trying to find her place in the world, would, in fact, find its place in the world.
 
Much to my delight, it did. “Hometown” is coming August 11, 2021, from The Wild Rose Press. 
 
Oh, and, Oprah? Thanks.

About the Author

Wendy Rich Stetson is a New York City girl who still considers the Central Pennsylvania countryside to be her home.  She grew up road tripping in a 1979 VW camper van, and she keeps a running list of favorite roadside attractions from coast to coast.  Now an author of sweet, small-town romance, Wendy is no stranger to storytelling.  She’s a Broadway and television actress, an audiobook narrator, and a mom who likes nothing more than collaborating on children’s books with her teenage artist daughter.  Wendy lives in Upper Manhattan with her family of three and rambunctious Maine Coon kitty. Follow Wendy’s journey at www.wendyrichstetson.com

​Links:
  
Twitter  Facebook  Instagram   Pinterest   Goodreads   Bookbub   Amazon Author Page 

Newsletter Sign Up 

​Today, I am honored to host Historian Steven T. Dunn. He is host and webmaster of Fjorn’s Hall, a spectacular online resource and treasure trove for Norse research. It’s organized and easy to navigate. The information is abundant and understandable. Mr. Dunn not only shares his vast knowledge, he also points us to still further resources. Steven, many thanks to you for your benevolence and for taking time out of your packed schedule for this interview. Welcome!
 
I have so many questions! Vikings have been a source of fascination almost forever. What initially drew you to Norse and Celtic history? Please tell us a little about your education and studies.
First of all, many thanks for having me! It’s an honor to be a guest in your hall.

Strangely enough, I ended up studying Norse and Celtic history on a whim, seemingly. I was picking my classes for the Spring 2015 semester when I saw a course called ‘Viking History.’ All I thought at the time, however, was: Oh, I don’t know anything about that. Why not take it? That class was phenomenal, not only because of the passionate instructor (Dr. Jennifer Knight) , but also because it showed the complexity of Norse culture in a way that I never even considered before. It certainly wasn’t only a culture of brawn and braided beards.

What really drew me in, though, was when we read The Saga of King Hrolf Kraki (or Beowulf, but I choose Hrolf). After reading that, I wanted to know more about their stories and why they told them, so it wasn’t long before I was taking independent studies with Dr. Knight to learn more. During those studies, we read saga literature (especially Njal’s Saga, but also a collection of Irish sagas) alongside academic work seeking to unravel them. I continued to pursue those studies, mostly independently, through my Master’s program, which culminated in a thesis about cheese and clothing (and their surprising significance) in medieval Icelandic literature (which you can read here).
 
You've been to Iceland! That must have been an amazing experience. Please share a few impressions with us.
Stunning and scrumptious! While it might be cliché, my fondest memories are of the breathtaking scenery (I even painted some of it) and the delicious seafood (especially at Tjörhúsið, which served fish fresh off the fjord). I’ve lived most of my life in the horrendous, flat swampland known as Florida, so you can imagine the impression fjords and arctic winds had on me (delight, not dread). Back in the summer of 2018, I stayed in the small town of Ísafjörður in the Westfjords to study Icelandic for three weeks. It was far sunnier there than in Reykjavík (which was dreary beneath a drizzle most of the time), and I spent much of my free time wandering. My favorite place to wander was on the mountainside overlooking the fjord from the west; and the view I had was best captured by this picture, I think.

​Yet, I’d be a poor excuse for a scholar of saga literature if I failed to mention that I also got to visit a site from Gisli’s Saga! It was, of course, nothing but an ‘empty’ fjord. A farm was there, but certainly not the farm that once lay there in the medieval period. Nothing of that remained, but still the aura of that place was steeped with the history and legend that once was. I won’t forget it anytime soon, nor the sheep I nearly befriended there.

​A truly spectacular trip! These photos are gorgeous.

Have your feelings about the Norse changed over the years? What have you learned that’s surprised or amazed you?
Indeed they have. At first I was captivated by that (very modern) ‘Viking’ aesthetic: fearless, axe-wielding heathens who went off ‘adventuring’ where few others would. Since then, however, I’ve actually come to loath that image of the Norse because it’s such a sliver of what they were actually like. So many of them were peaceful, enjoying their crafts and storytelling far more than plundering and fighting. The idea that all Norse dreamed of going to Valhalla by dying a warrior’s death was, after all, a dream mostly for the aristocratic. I now find myself more enamored by the men and women who shared their stories by the hearth while the winds of winter kept them indoors. It’s their worldview that I now admire, for they dealt with fickle land-spirits, feuds born from love triangles or grave misunderstandings, and many more relatable human experiences.

I suppose one thing that’s surprised me the most is just how much a person can learn about a culture when they look more closely at the ‘mundane’ parts of it, rather than the flashy bits. Norse mythology and Viking raids get all the attention, but the depth of life you can glean from their stories about farmers is far more fascinating (and amazing). I’m still taken aback whenever I consider how much social and cultural meaning is contained within a single piece of cheese in Njal’s Saga. It may sound strange, but that cheese embodies so much. Women were in charge of making dairy products, so when a woman steals cheese from a neighbor who not only refused to help them during a famine (even though they were capable of doing so) but also insulted her husband (who refused to retaliate properly by taking the food by force), it says so much about what women were capable of doing even within their domestic domain. This saga was warning men that women could find ways to feud like men with cheese, because that was an object that they had authority over. Sword and axes may be more interesting, but women learned to weaponize clothing and food when feuding with neighbors and lovers—and that is far more fascinating (even if it is a bit obscure).
 
It’s all fascinating, and I couldn’t agree more that we can glean a more complete picture of a culture from the mundane aspect of day to day living rather than the glorified parts.

You know I love your website. It is an amazing, astonishingly generous, thorough resource. I thought it was amazing years ago, when you first began. But “The Hall” has changed and grown in every direction! How did it all come about?
The Hall actually began as a Pinterest-turned-Tumblr blog called The Viking Life. That blog’s ‘birthday’ was September 29th, 2015; and it was five years later on that very day (Sept. 29th, 2020) when I launched the new website that it has since become. Back then, however, it was simply a place to share small bits of information on the Vikings and reblog posts or pictures that formed a pleasant aesthetic. Yet, by March 2016, I was starting to write more substantial blogposts that collectively formed informal crash courses covering Viking History. I made it as far as lesson 27 (a total of 45 posts) before starting graduate school and losing time to write them. I nevertheless persisted, trying various new things (albeit sporadically) while working on my studies. Among them was starting a podcast (in July of 2018), as well as a Norse-themed tea shop called The Northern Herbalist (in March 2019).

Both of those projects ended up faltering as my focus shifted to other things, though, such as creating the Hall that stands today: an affordable (and accessible) place to learn Norse and Viking history from a reliable, high-quality source. In order to pursue that goal more professionally, I started writing lessons again, but also providing videos, podcasts, ‘databases,’ and digital maps for people to use alongside them. As a result, the Hall has become an online ‘school’ of sorts, but more casual (being free from academic jargon and unnecessary pressures, such as deadlines and mandatory assignments). People from around the world can access the Hall’s hoard of wisdom without having to apply to a University, move vast distances to attend them, or accumulate debt to cover their tuition. Instead, they just need an internet connection and be willing to pay a modest subscription of either $5 or $10 a month (thus becoming a Companion of the Hall). Considering the alternatives, it’s not a bad deal! But I suppose I’m a pretty biased source.
 
It's a great deal and not just a great deal; it's a gift! I can't say enough in praise of this amazing resource, this space for knowledge and learning that you've created.

I can’t decide on my favorite page, either – the raids, the resources, there are so many wonderful opportunities to discover and learn. Is there an area of the Hall that is more work than the others? What are you concentrating on now? Is there a part of your website that you are extra-proud of? 
My favorite page, and the one that involves the most work, is definitely the one for Raids. They are, after all, the heart of the Hall. Each Raid is a short ‘course’ containing concise lessons and videos that get right to the point. So instead of enduring long courses with deadlines, time limits, and mandatory assignments, people can raid our material whenever and however it suits them. It’s a more casual approach to online learning, and perhaps a bit less ‘prestigious’ as a result, but it’s better than boring people to death or overwhelming them with rigorous schedules and assignments. But with them being so short and casual, I believe they become more accessible. Most of us are, after all, swamped with a long list of things vying for our attention.

The reason these Raids are so much work, however, is because they accommodate various modes of learning. Rather than forcing people to sit through lectures, I offer both written lessons and lectures. While this doubles my work, it nevertheless provides people with multiple options and therefore increases accessibility. People who need to read in order to learn may do so without having to watch a single video, while those who learn best by watching or listening to videos may do so without ever having to read a lesson. And once they finish a Raid, they can choose whether or not they’d like to take the quiz or test that I provide.

Admittedly, these Raids are slow to develop. I’m only one historian, after all. Yet with support and time, these Raids will add up and collectively produce Campaigns, which are what the Hall considers to be ‘proper’ courses because they take Raids and use them as modules. For instance, we have Raids that introduce the Vikings, Norse mythology, and even agriculture in the Viking Age. These can stand independently as Raids, but our Viking History Campaign brings them (and others) together by placing them in an order where each Raid builds on the last. The result is a longer, more structured course that covers larger themes.

But I suppose that’s enough of an answer… If your readers haven’t glazed over yet, I’ll simply end by saying that I’m proud of my Raids because they can accommodate so many different types of learners.
 
It's extraordinary -- brilliant, really -- the way you make it all so accessible and, I daresay, fun. I feel like an explorer when I visit the Hall!

What is “Discord”?
Discord is an app that creates servers for communities, thus offering a place for those people to gather, chat, organize events, ask questions, or whatever else they feel like talking about on the go. These servers have various channels within them, as well, which help organize the topics. The Hall’s Discord, for example, has a ‘Companion’s Hearth’ channel for general chatter between Companions, but an ‘Ask Fjorn’ channel for questions. In the near future, we’ll also be planning and conducting reading groups on our Discord, which I will guide with discussion questions and insights. Their app is free, but the Hall’s Discord is exclusive to subscribers (who get sent an invitation link upon registering with the Hall).  

I did warn you that we romance fans tend to see those fearless Northmen as romantic heroes. But do you, as a scholar, see them as particularly romantic? How about the women? Can you tell us a little bit about their social norms?  
The Norse certainly had a romantic side—but, like all people (both in the past and the present), that romantic aura varied considerably. Nevertheless, they told several romantic stories themselves, with the foremost being (in my opinion) The Saga of the People of Laxardal (which may have been written by a woman). It’s essentially the story of a deadly love triangle, wherein two formidable Icelandic foster-brothers, Kjartan and Bolli, end up quarreling over a woman named Gudrun. I won’t spoil how things turn out, but Gudrun delivers one of my favorite lines from Old Norse literature at the end. When asked who she loved the most, she replied: “I was the worst to the one whom I loved the most.” The saga never explicitly says who that may be, so you’ll have to decide for yourself if you happen to read it!

That said, women weren’t always allowed to choose their own marriages, for that was arranged between her father (or nearest male kinsman) and the prospective groom. While women could divorce their husband of their own accord (though not as easily as men could divorce their wives), their consent in the arrangement was not required. It wasn’t until much later (13th century) that a woman’s consent became necessary, and that is something we can see developing (and being discussed) in the sagas. They also couldn’t attend legal assemblies, and their primarily responsibilities on the farm were milking livestock, making dairy products, managing food and household affairs, working wool, and making clothes. But while much of that may sound grim and dull (especially when compared against shield-maidens), there are examples of women who overcame those boundaries and did things beyond those limitations (and received praise for doing so). After all, much of our source material comes from later, Christian hands, which were working to reshape the culture of the North. The story of women’s history in the Norse world is thus complicated, and I couldn’t possibly do it justice here alone. I will end by saying that women often found ways to participate in the activities of men (both directly and indirectly), who in turn responded with praise and admiration (occasionally). If you’re curious about that, you might want to read my thesis (or any number of books dedicated to their side of Norse history).

Certainly, there is good and bad in every culture. Do you ever feel the need to defend the Vikings? I am very impressed by your “stance”, for which you have assigned its own page on your website. Would you care to elaborate?
I won’t defend the restraints their culture placed on women, nor the code of masculinity upheld by many in their time, but I do defend the Norse against certain groups (i.e. white supremacists) that misconstrue the past to support their toxic ideologies in the present. To claim that ‘Vikings’ vigorously defended their culture and ‘race’ against other ethnicities (and even Christianity) is simply folly that ignores contrary evidence. What made a Norse person ‘Viking’ wasn’t their blood or ancestry, but rather the activity they were engaging in: raiding. After all, their word víkingr was used also for people who weren’t even Scandinavian. Yet, more than race alone, the Hall stands to be a welcoming and safe place for everyone, regardless of race, sexuality, gender, or any other form of possible discrimination. The history I teach in the Hall may not always be comfortable, but I nevertheless stress the importance of evidence regarding gender fluidity, ethnic mingling, and other ‘progressive’ ideas that are, in fact, attested in the past.
 
That's so well-expressed. Thank you. 

I was delighted to see your “Hire a Historian” notice. As I’ve mentioned to you before, I don’t know how you ever sleep! But it would be such a boon -- both in comfort and time –-  to be able to put questions directly to a trusted historian. I’m speaking as an author, but I’m sure there are others who would also find such help invaluable. Would you please tell us about your consultation services?
I’m glad to hear that! The Hall is a great resource for people to learn Norse history, but sometimes people need more specific information and guidance. Companions can always ask me questions, but to those who need more devoted attention I offer consultation services (and they don’t have to be subscribed to the Hall, either). Research, after all, can often be daunting and tedious to undertake, but a trained professional can do those things much more swiftly and safely (for there is much out there that is problematic and misleading). Rather than shrugging off such responsibilities, I would much rather give authors (and other creators) the opportunity to work with a historian directly so that they may represent history responsibly and avoid repeating toxic and harmful ideas inadvertently.

I know all too well, however, that creators usually work within a nonexistent or negative budget. My consultation rate (as of answering this question) is $20/hour, but I’m flexible and willing to work within set budgets. If you don’t need my full attention, however, you may choose to become a Lore Seeker for $5/month and have your questions answered as my time allows. I wouldn’t be able to answer as many questions that way (nor work as closely with your project), but it would nevertheless provide a cheaper alternative, if nothing else.

If you wish to know more about the quality of my consultation work, simply ask Bjørn Larssen, whom I’ve been working with (on and off) since May.
 
This all sounds fantastic. Thank you.

Aside from your fabulous website, consulting work, art, and writing, you do podcasts! Please tell us about them.
I do, yes! The podcast I host now is called Fjorn’s Hall: Skald Edition, and it’s actually a fairly new ‘branch’ of the Hall. The goal of this podcast is to present all of the content from our Raids (aka courses) in bit-sized, audio-only formats that are useful for people who want to learn Norse history but don’t have time to sit and work through our Raids. Yet, because it is part of the Hall, not all of those episodes are free to download and listen to. Nevertheless, several are (and shall be)! I upload new episodes every Wednesday, but occasionally I release bonus episodes for my Skald-in-Training Companions ($10/month subscribers) that cover content not found in our Raids. Most recently, those bonus episodes have covered some of my consultation notes for Bjørn Larssen’s forthcoming book Land.
 
Do you breathe Norse? It seems to me that such extensive and fascinating studies and work combine to form a distinct and distinctive way of life. But I don’t think that many academicians are as open to the public as you are. Isn’t that true? How do you manage it (sleep-deprivation aside)?
At one time, yes—but not anymore. When I was still in my graduate program, I had thought for nothing beyond my studies and research papers (that would, I hoped then, become articles for publication). It was a bit toxic, honestly. Traditional academia leaves little room for ‘free time.’ There are so few ‘academic’ jobs available to medieval historians that one feels they must devote all hours of their day to the cause of standing out and clinching that one lucky job—and even then, victory is far from assured.

Needless to say, I eventually found myself feeling frustrated and unsatisfied. It was quite sudden, too, because I was preparing to apply to PhD programs at the time. Yet I came to resent not having time to focus on Fjorn’s Hall, because I was passionate about engaging with everyone, not just fellow academics. I still find myself annoyed occasionally by how academics seem to talk to each other more than they reach out to engage with the public (books and articles simply aren’t enough). But stronger still was my frustration at losing time to paint, write, and express my non-Norse interests. I realized that a large part of who I was had faded in order to survive that traditional academic way of life.

​I look forward to interviewing you in the future about your newly published epic fantasy. Thank you again for sharing your time with us, Steven. It's been a pleasure. I wish you the best in all your endeavors. See you in the Hall!

​8 Reasons You Should Read RORIK

1.  The Vikings had their ancient laws, but you will also learn the Wolves of Clan Sutherland had their own called the Nine Noble Virtues of Wolf Lore.

2.  You’ll get to meet a powerful Seer and wise woman from the Orkneyjar Isles who does not get along with a certain wolf in the elite guard.

3. You learn several ways how Rorik can shift magically into a wolf—from swiftly and quietly, to uttering a chant and transforming into the animal. 

4.  You’ll have a chance to revisit characters from the first book, Magnar.

5.  Find out the other magical gift Rorik possesses.

6.  Experience a Viking sporting game over a raging river. 

7.  Learn what happens when Rorik surrenders control to his inner wolf.

8.  Norse Mythology comes alive within the pages of this story, and when you’re done, you’ll feel transported into Rorik and Ragna’s world.

Excerpt from Sweet Inspiration:

Unmarried and approaching thirty in a small town branded her as ready and willing to meet every unattached man who set foot inside the city limits. A sigh escaped. Like last week when Espe called Trent Sullivan over to their table at El Tres Amigos and then suddenly remembered an important errand, leaving them together. What Espe hadn’t known was Cadence and Trent already had been set up on blind dates—twice—by other well-meaning friends.

Nothing had clicked on those occasions either. Cadence craved someone with a mysterious past like in her beloved romantic suspense novels. A dark, shadowy figure who knew how to excite a woman with a molten look or a lingering touch. A man who fought to hide his pain and almost succeeded. Not someone like Trent—a guy whose high-school accomplishments she could probably recite.
Sweet plaintive notes of a stringed instrument floated on the breeze. Cadence stopped, straining to recognize the tune. A person didn’t grow up surrounded by folk music without knowing just about every ballad that could be plucked.

But this one eluded her. The twanging strings cried with a soulful sadness that grabbed her by the throat. Her thoughts were washed in loneliness, and she turned toward the sound, past the Heritage Herb Garden. A part of Cadence that couldn’t resist helping others had to see who was expressing such need.

She lifted the hem of her long skirt and hurried toward the haunting sound, as if the notes pulled her feet along the path. The compulsion to know who played added speed to her steps. Abreast of the groundhog pottery kiln, she slowed and peered toward the outdoor stage.
On the platform, several musicians were gathered—some unpacking instruments, others adjusting microphones. Off to one side, a dark-haired man sat in a straight-backed chair, one foot braced on a scratched case. He leaned forward and strummed a dulcimer, the light wood instrument cradled on denim-covered thighs.

Cadence stood a dozen feet away and studied the talented player. His too-long hair was tied back, his shoulders were broad inside his western-cut shirt, and his legs were long and lean. Scuffed boots, faded jeans and a worn Harley-Davidson tee-shirt composed his attire. Definitely more attractive than her own outfit. Even from this distance, she spotted a posture that meant the man had an attitude…or was mysterious. A thrill ran over her skin.

Who was this guy? He’d definitely swagger when he walked. Yummy. At the thought, she stepped closer, wanting nothing between her and the performance.

Long fingers picked the strings in a heated crescendo—note on teasing note, twang on shivery twang, strum on driving strum. He ended the song with a flourish, right hand arcing upward as the last note hung on the early morning air.

How did he know exactly how she felt on nights when everyone in Mountain View either had a date or was home curled next to a spouse? The isolation of being solo at the drive-in or enduring the knowing smile of a sympathetic waitress. His song wrapped all those feelings tight around her heart and squeezed. She inhaled, and the backs of her eyes stung.

Hadn’t she learned her lesson about musicians from the way Dale deserted her when his band got the chance to go on the road? Three years running, and he hadn’t yet steered the tour bus through his hometown.

The stranger laid a hand over the strings, rolled his shoulders, and lifted his head. Piercing brown eyes scanned the area, surveying the other musicians, and his gaze locked with hers. For a suspended moment, his gaze roved along her length, widened, and then returned to her face.
​
Under his scrutiny, she shifted her feet and tugged at the sides of her skirt. Her period costume didn’t exactly show off her figure to its best. Not that the fact should matter, but she couldn’t look away and chose to ignore the warning bells ringing in her head.
 
About the Author:
As a young girl, Linda was often found lying on her bed reading about fascinating characters having exciting adventures in places far away and in other time periods. In later years, she read and then started writing romances and achieved her first publication--a confession story. Married with 4 adult children and 2 granddaughters, Linda now writes heartwarming contemporary and historical stories with a touch of humor from her home in the southern California mountains.

Linda’s Links:
Blog    Facebook        Twitter             Goodreads     BookBub       BingeBooks

Newsletter